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Fela Kuti Fela is a man with contradictions. That's why he's so fascinating. People who love him will overlook his shortcomings. His songs are usually 20 minutes or more and are sung in a thick Pidgin English that is almost incomprehensible. His music is influenced by Christian hymns jazz, classical music Yoruba music, chant, and horn-and-guitar heavy highlife. He was a musician Fela Kuti embodied that music can be a tool to transform the world. His music was used to argue for political, social and economic reforms. His influence is still evident today. Afrobeat is a style of music that combines African and Western influences. Its roots are in West-African hip-life music and funk, but it has since evolved into a distinct style. His political activism was fierce and fearless. He used his music to speak out against corruption in government and human rights violations. Songs like “Zombie” and “Coffin for the Head of State” were provocative critiques of the Nigerian regime. He also referred to Kalakuta as a venue to gather like-minded people and to encourage political activism. The play includes a large portrait featuring his mother, who died in the past Funmilayo ransome-Kuti. She was a prominent feminist and activist. She is portrayed by actress Shantel Cribbs, who successfully conveyed her significance in the life of Fela. The play also highlights on her political involvement. Despite her declining health, she refused to be tested for AIDS. Instead she took traditional medicine. He was a musician Fela Ransome Kuti was a complex individual who utilized music to bring about political change. He is known as the creator of afrobeat, an invigorating hybrid of funk, dirty and traditional African rhythms. He was a fervent critic of Nigeria's governmental and religious leaders. Fela's mother was an anti-colonial suffragist So it's not unusual that he has a passion for political commentaries and social commentary. His parents believed that he would become a doctor however, he had other plans. While he initially sounded in a more political highlife fashion, a trip in America would change his outlook forever. The exposure to Black power movements and leaders like Malcolm X and Eldridge Cleaver would have a profound impact on his music. He adopted an African-centric philosophy that would influence and guide his later work. He was a music producer Fela encountered Black Power activists like Stokely Carmichael, and Malcolm X while in the United States. This experience led him to create a political group called the Movement of the People and write songs that reflected the thoughts he had about activism and black awareness. His ideas were expressed in public via the medium of yabis, a form of public speaking he dubbed “freedom of expression”. He also started to impose an ethical code of conduct on his band. This included refusing to accept prescriptions from Western-trained physicians. After his return to Nigeria Fela began building his own club, the Shrine in Ikeja. The snares of officers and police were almost daily. The Mosholashi-Idi Oro hangers-on who he had re the area surrounding the club with hard drugs, including “bana” and “yamuna” (heroin). But despite this, Fela kept his integrity unshaken. His music is a testimony to his determination in challenging authority and ensuring that the desires of the masses are manifested in official goals. It is an extraordinary legacy that will be remembered for generations to be. He was a poet In his music, Fela used light-hearted sarcasm to highlight economic and political issues in Nigeria. He also made fun of his audience, government, and even himself. During these shows, he referred to himself as “the big dick in the little pond.” These jokes were not accepted lightly by the authorities and he was frequently arrested and imprisonments, as well as beatings at the hands of authorities. He eventually took the name Anikulapo, which means “he carries death in his bag.” In 1977, Fela released a song called “Zombie” in which he compared soldiers with mindless zombies who followed orders without question. This irritated the military, which raided the Kalakuta Republic, burning it down and beating its occupants. During the raid, Fela's mother was thrown from her second-floor apartment by the window. Fela developed Afrobeat in the years that after the nation's independence. Afrobeat is a music genre that combines jazz with the indigenous African rhythm. His songs criticised European imperialism in culture and praised African traditional traditions and religions. He also criticized fellow Africans who sabotaged their country's traditions. He also stressed the importance of freedom and human rights. He was a rapper Fela Anikulapo Kuti, trumpeter and saxophonist was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He grew up with jazz and rock and roll, as well as traditional African music and chants which helped shape his style of music. After his trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement and her ideas affected his work dramatically. The music of Fela became an instrument of political power upon his return to Nigeria. He criticised the government of his country, and argued against Western sensibilities that affected African culture. He also wrote about social injustices and human rights abuses. He was repeatedly detained for his criticism of military. Fela also sporadically advocated for the use of marijuana, known as “igbo” in Africa. He held “yabis” (public discussions) at Afrika Shrine, where he would ridicule officials of the government and share his opinions on the freedom of expression as well as the beauty of women's body. Fela also had a group of young women who performed in his shows and acted as vocal backups to him. He was a dancer Fela was a master of musical fusion. He incorporated elements from jazz, beat music and highlife to create his own distinctive style. He influenced generations of African musicians and was an outspoken critic of colonial rule. Fela refused to be interrogated and detained by the Nigerian military junta as being a witness to the murder of his mother. He died of complications due to AIDS in 1997. Fela was a prominent political activist who was critical of the oppressive Nigerian Government and endorsed the principles Pan Africanism. His albums including 1973's Gentleman focused on addressing oppression from both colonial and government parties. He also promoted black power and criticised Christianity and Islam as non-African influenced religions that were used to divide the people of Africa. The title track on a 1978 album, Shuffering and Shmiling, describes the over-crowded public buses packed with workers “shuffering and shmiling.” fela railroad accident lawyer was a strong opponent of hypocrisy in religion. Fela's music was also complemented by his dancers, who were vibrant elegant, sensual, and beautiful. Their contributions to the show were as significant as the words of Fela. He was a political activist Fela Kuti was an activist who used music to challenge oppressive authority. He adapted his knowledge of American jazz and funk to African styles and rhythms, creating an ear that was ready for fight. Most of his songs begin as simmering instrumentals, slowly adding little riffs and long-lined melodies until they explode with a ferocious vigor. Unlike many artists, who were afraid to speak out about their politics, Fela was fearless and unbending. He stood in the cause he believed in, even when it was risky. Funmilayo Ransome Kuti was a feminist leader of the Nigerian Women's Movement. His father was a protestant minister and the president of the teachers union. He also established Kalakuta Republic – a recording studio and commune that was an emblem of the resistance. The government raided Kalakuta's Republic which destroyed property and injured Fela. He refused to back down however, and continued to speak out against the government. He passed away from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to carry on his music and political legacy. He was a father Music is often viewed by many as a form of political protest. Artists use lyrics to call for a change. Some of the most powerful musical demonstrations are not performed with words. Fela Kuti is one these artists and his music is heard today. He was the first to pioneer Afrobeat which combines traditional African harmonies and rhythms with funk and jazz inspired by artists like James Brown. Fela's mother, Funmilayo Ransome-Kuti, was an activist and unionist who was a fighter against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria that was serving its the entire population. Seun Fela's Son is carrying the legacy of his father through a group dubbed Egypt 80. The band is touring the world in this year. The music of Egypt 80 combines the sounds of Fela with a sharp critique of the power structures that exist in the present. Black Times will be released at the end March. Thousands of fans gathered to pay their respects at the funeral in Tafawa Balewa square. The crowd was so huge that the police had to shut down the entrance.